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Creative writing ideas – how to run your own club

Would you rather fly, or be invisible? Explore endless impossibilities and get pupils into the scribbling spirit with these ideas…

If you could wish for one thing, knowing that it would definitely come true, what would it be?

A million pounds? To fly? To talk to animals? To live in a tree house? To travel the world at the click of a finger?

I’ve asked this question hundreds of times to thousands of pupils, and their answers are always imaginative, normally well thought-out, and quite often, impossible . 

I then follow it up with the question, “What if you could experience that thing right here, right now?”

Cue eyes widening, ears pricking and backs straightening. “All you need is… a pencil.” 

Creative writing club

Before becoming an author, I ran creative writing clubs in 30 schools a week for almost a decade.

I hired over 100 tutors, won some awards, teamed up with publishers to arrange author events, and even had requests from teachers in Europe, Dubai and Australia asking to launch a club in their schools.

There were long waiting lists in almost every setting, and teachers, parents and librarians would ask on a weekly basis, “How have you turned that reluctant reader/writer into someone that actually wants to do more writing after school?”   

The secret? 

First and foremost, I planned workshops that were FUN. I knew if I enjoyed running them, pupils would enjoy taking part.

I was just another writer in the room who talked about the books I was reading, collaborated on ideas, and asked for feedback on stories in the same way they asked me.

I wasn’t a published author at this point – just someone that loved to invent characters and write about fantastical, magical worlds.

I wrote alongside the students, making mistakes, scribbling over anything I didn’t like, and asking for help whenever I got stuck.

Everyone knew this was just ‘rough’ work. There was no pressure. No marking. No tests. And we didn’t have to share our ideas if we didn’t want to.

I genuinely looked forward to every single workshop I ran, and I know the students felt the same when they came racing into the classroom and didn’t want to leave at the end (yes, even the ones who ‘hated’ writing to begin with!).  

Of course, I couldn’t rely on pupils simply coming up with new ideas each week for enjoyment. I had to provide them with inspiration, jumping-off points, and exciting writing hooks, too.

For this, I turned to the experts – children’s authors. I chose five ‘Authors of the Term’ that I knew would enthuse and inspire the students, and designed workshops around their books.

This was always a fun part of the process – I looked for books that had wide appeal, simple concepts, and an excitable element that made my inner child say ‘ oooh!’.  

Here are a few examples . . . 

Writing for pleasure

I used Abi Elphinstone’s Rumblestar to write fast-paced adventure stories. We plotted our adventures on maps, devised the main action in ‘cloud planners’, and focused on exciting ‘world-crossing moments’ to start our stories.

At Halloween, I chose books like Guy Bass’ Stitch Head and Joseph Coelho’s Zombierella , and ended each workshop with a spooky storytelling session where we turned off the lights, closed the blinds, and sat on the floor as if we were gathered around a campfire!  

The most successful workshops were the simplest. I used L.D. Lapinski’s Strangeworlds series and copied what happened to the protagonist when she jumped inside a suitcase and travelled to another world.

Pupils planned their new setting, focused on the five senses, and described the first thing they noticed when they arrived.

Their stories were thrilling, fast-paced, hugely descriptive, and completely individual, because they had the freedom to take their ideas in any direction they chose. 

I normally scheduled two sessions around each book – the first session involved planning and starting stories (or poems / diary entries / letters, etc), and the second session involved extending, improving, or continuing them.

I also added one ‘paint a picture’ session (using images for inspiration) and ‘free writing’ at the end of each term to give pupils a chance to finish their favourite piece of work.   

Remember, if you want to boost writing for pleasure, pupils should know that they can write about anything. Nothing is off limits. Nothing is impossible. Nothing is ‘wrong’.

And if you’re not sure how to start your first session, why not ask your pupils that if there was one thing they could wish for, knowing that it would definitely come true… what would it be?

Creative writing activities

1) Distraction!   Beware: pupils love this game so much, they might ask to play it every week! The idea is simple. Children write for 10 minutes, in silence, and if they speak / laugh / stop writing for an extended period of time, they get a ‘strike’.

If a table gets three strikes, they risk not being allowed to read their work out. The twist? It’s your job to distract them!

Shake tables and shout ‘EARTHQUAAAAKE!’, steal their pens, use rulers as drumsticks, play songs they’ll want to sing along to, bust out the YMCA and get caught by a bemused headteacher.

Between the giggling and dancing in their seats, pupils will write so much in these 10 minutes, and it’s a great way to get them writing without overthinking.     2) Where am I?   Give students a setting (e.g. a library / the moon / horse stables / a rocket ship) and challenge them to describe it without saying where it is.

They should focus on the five senses. They must give at least three clues before the class can guess where it is, and the person who guesses correctly gets the next go.

The winner is the person who gets the most correct answers or the person that comes up with your favourite description.     3) Five-minute challenge   Tell pupils that most adults can write two lines in one minute, and then challenge them to write 10 lines in five!

Give constant time reminders, walk around the room shouting out ideas or words of encouragement, and watch their competitiveness soar.

This is a great game to play if, like me, you spend most of the lesson talking about books and story ideas, and realise there’s not much writing time left!     4) One-word game   This game is a great way to warm up imaginations at the start of a workshop. Ask pupils to stand behind their chairs and give them an opening line such as, ‘I was walking through the haunted castle when . . .’.

Walk (actually, it’s more of a run) around the room, pointing at each pupil in turn, and asking them to add one word to the story.

It must make sense and they have three seconds to answer. If they can’t think of a word, if it doesn’t make sense, or if they take too long, they are out and must sit down.

The winner is the last person standing. Note: when they get really good, try introducing a one-second hesitation rule – it’s hilarious!  

  5) What’s your problem?    

Remind students that every story needs a problem to make it exciting.

Then ask them to stand behind their chairs and each give one problem like, ‘aliens invaded Earth’ or ‘I broke a fingernail’.

Problems can be big or small, but they must give an answer in three seconds, and they can’t repeat anything that’s already been said. The winner is the last person standing. 

Mel Taylor-Bessent is the author of The Christmas Carrolls and the director of the award-winning educational website, Authorfy . See more of Mel’s work at meltaylorbessent.com

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43 Creative Writing Exercises

This page contains a selection of fun creative writing exercises that can be completed solo, or with a group.  Some are prompts to help inspire you to come up with story ideas, others focus on learning specific writing skills.

The sections are as follows:

A note on running exercises remotely

A letter from your character to you, the opening sentence, make your protagonist act, overcoming writer's block, writing character arcs, sewing seeds in your writing, giving feedback to authors, the five senses, show don't tell, world building.

Easy gossiping exercise

Degrees of Emotion Game

Three birds, one line, blind date on valentine's day (exercise for adults), a success (works best for online groups), your dream holiday, time travel - child, adult, senior, focus on faces.

Onomatopeai, rhyme and alliteration

The alphabet story - creating a story as a group

A question or two, murder mystery game, the obscure movie exercise, how to hint at romantic feelings, a novel idea, creative writing prompts, creative story cards / dice, alternative christmas story, murder mystery mind map.

New Year's resolutions for a fictional character

Stephen King - Using verbs & nouns in fiction

It's the end of the world

Other Content:

7 Editing exercises  (for your first draft)

How to run the writing exercises

While you can enjoy the exercises solo, a lot of writing groups have gone online during the coronavirus pandemic and are using Zoom, WhatsApp, Facebook Messenger or Skype to keep in touch with other writers during this time.

If you're running such a group and following a ' Shut Up and Write ' structure, I recommend connecting on WhatsApp (for example) first, doing the exercise together, with participants sending each other their writing samples where necessary as part of the exercise, then disconnecting to write in silence for an hour and a half, before reconnecting for a brief informal chat at the end. This works well with small remote groups and is a great way to gain some online support and stay productive!

If you have a larger group, it's worth looking into Zoom, as this has a feature called  Breakout Rooms . Breakout Rooms let you split different writers into separate rooms, which is great for group activities. The free version of Zoom has a 40 minute limit, which can be restrictive, but Zoom Pro is well worth it if you're going to use it on a regular basis. In my experience, Zoom has a better connection than Skype or WhatsApp.

I hope you remain healthy and creative throughout this difficult time for us all.

I run a  Creative Writing Meetup  for adults and teens in Montpellier every week where we start with a 5 to 20 minute exercise, followed by an hour and a half of silent writing, where we each work on our own project. Each of these exercises has been used with the group and works well.  Where the exercises below specify a number of people, if you have a larger group, simply split everyone up into smaller groups as appropriate.

The solo exercises are ideal if you’re working by yourself to help stimulate your mind before working on a larger project or to overcome writer’s block, or can be used with a larger group, where you simply ask everyone to share what they’ve written in groups of 3 or 4 people afterwards. Looking for something quick to fire your imagination? Check out these  creative writing prompts for adults .

If your goal is to write a complete work of fiction, whether it be a novel, a play or a movie script, you will one day need to write to an agent or publisher to ask them to publish your work.

In this exercise, we turn this around and ask you to instead spend 10 minutes writing a letter from a character in your novel to  you , the author, explaining why you should write about them! This serves three purposes:

If you're doing this exercise with a group of teens or adults, and some of the group haven't already started working on their masterpiece, they can instead choose any fictional novel that they love and imagine that a character within it wrote to the author in the first place to ask them to write their story.  What did that letter look like?

• As you write, it helps you get into the mindset of the character. Ask yourself how they would language this letter and what they would consider important to include.
• It's motivating to know that your character wants you to write about them.
• It's good practice for when you will need to send a letter to an agent or publisher.  

The opening sentence has to grab the reader's attention and make them want to keep reading. Many authors achieve this by starting with an action scene and avoid starting with someone waking up, or a description of the weather. In this exercise the task is to write an opening sentence either to a book you're currently writing, or simply for an imaginary piece of literature.  Here are some of my favourite opening sentences to get you going:

It was a bright cold day in April, and the clocks were striking thirteen.

George Orwell , 1984

The Golem's life began in the hold of a steamship.

Helene Wecker , The Golem and the Djinni

All happy families are alike; each unhappy family is unhappy in its own way.

Leo Tolstoy , Anna Karenina

It wasn't a very likely place for disappearances, at least at first glance.

Diana Gabaldon , Outlander

You better not never tell nobody but God.

Alice Walker , The Color Purple

The cage was finished.

Gabriel Garcia Marquez ,  Balthazar’s Marvelous Afternoon

Imagine that you are living your life out of order: Lunch before breakfast, marriage before your first kiss.

Audrey Niffenegger ,  The Time Traveler's Wife

Far out in the uncharted backwaters of the unfashionable end of the western spiral arm of the Galaxy lies a small unregarded yellow sun.

Douglas Adams ,  The Hitchhiker's Guide to the Galaxy

There are a plethora of ways that you can start a book, however two ways that help engage the reader immediately are:

• Set the scene in as few words as possible, so that the reader immediately knows what's happening and wants to know what happens next.  The scene must be original and create a vivid image in the reader's mind.
• Surprise the reader with an unusual event or usual point of view.

Spend 5 minutes working on your own opening sentence, then share it with the other participants.

Exercise for 2 writers, or can be done solo.

According to John Gardner:

"Failure to recognise that the central character must act, not simply be acted upon, is the single most common mistake in the fiction of beginners."

Spend 5 minutes writing a scene where the protagonist is passive in a conversation with one other character. It could be that the other character says something dramatic, and the protagonist just listens, or it could be anything else of your choice!

Once the 5 minutes is up, swap papers with another writer. If you're using Zoom, or working online, send it to each other in a private chat. Now the other person spends 8 minutes rewriting the scene to make the protagonist as active as possible. This might include:

Read both scenes together. Which makes you want to keep on reading?

If you're doing this as a solo writing exercise, simply complete both parts yourself.

• Showing the emotion this evokes.
• Getting them to disagree with the other character.
• Showing how they respond physically (whether it's as a physical manifestation of how they feel, or a dramatic gesture to make a point).

Are you staring at a blank page or stuck for any story ideas? This exercise will help anyone who's experiencing writer's block with a particular piece of writing. If this isn't you, that's great, others will value your input!

If anyone has a particular scene that they're stuck with (a pool of blood on the floor that they have no explanation for, a reason why the rich lady just walked into a particular pub, etc.) then at the start of the exercise everyone briefly describes their scenes (if working online with a large group, typing it into the chat might be best). Everyone then chooses one scene to use as a writing prompt to write a short story for 10-15 minutes.

Afterwards, split into small groups if necessary, and read out how you completed someone else's writing prompt. As everyone listens to everyone else's ideas, this can be a wonderful source of inspiration and also improves your writing. As an alternative solo exercise, try free writing. With free writing, simply write as quickly as you can on the topic without editing or censoring yourself - just let your creative juices flow. If you're not sure what happens next, brainstorm options on the page, jot down story ideas, or just put, "I don't know what happens next." Keep going and ideas will come.

There are several different types of character arc in a novel, the 3 most common being:

For this exercise choose either a positive or negative character arc and spend 8 minutes writing a scene from the start of a novel, then 8 minutes writing a scene towards the end of a novel showing how the character has developed between the two points (obviously, we will have to imagine how this change has occurred).

The point here is to capture the essence of a character, as they will be the same, but show their development.

• Positive  - Where a character develops and grows during the novel, perhaps starting unhappy or weak and ending happy or powerful.
• Negative  - Where a character gets worse during a novel, perhaps becoming ill or giving in to evil tendencies as the novel progresses.
• Flat  - In a flat character arc the character themself doesn't change much, however the world around them does. This could be overthrowing a great injustice, for example.

In this exercise, we will look at how to sew seeds. No, not in your garden, but in your story. Seeds are the tiny hints and indicators that something is going on, which influence a reader's perceptions on an often unconscious level. They're important, as if you spring a surprise twist on your readers without any warning, it can seem unbelievable. Sew seeds that lead up to the event, so the twists and turns are still surprising, but make intuitive sense. Groups : Brainstorm major plot twists that might happen towards the end of the novel and share it in a Zoom chat, or on pieces of paper. Choose one twist each. Individuals : Choose one of the following plot twists:   -  Your friend is actually the secret son of the king.   -  Unreliable narrator - the narrator turns out to be villain.   -  The monster turns out to be the missing woman the narrator is seeking.   -  The man she is about to marry happens to already have a wife and three kids.

Write for ten minutes and give subtle hints as to what the plot twist is. This is an exercise in subtlety. Remember, when the twist occurs, it should still come as a surprise.

This is a fun writing activity for a small group. You’ve found a magic potion labelled ‘Cat Chat’ and when you drink it, you turn into whichever animal you’re thinking about; but there’s a problem, it also picks up on the brainwaves of other people near you!

Everyone writes down an animal in secret and then reveals it to the other writers.  The spell will turn you into a creature that combines elements of all the animals.  Each person then spends 5 minutes writing down what happens when they drink the potion.

After the 5 minutes is up, everyone shares their story with the other participants.

If you enjoy this exercise, then you may also want to check out our  Fantasy and Sci-Fi writing prompts  full of world building, magic, and character development prompts..

Joe Brainard wrote a novel called:  I Remember It contains a collection of paragraphs all starting with “I remember”.  This is the inspiration for this exercise, and if you’re stuck for what to write, is a great way to get the mental gears turning.  Simply write “I remember” and continue with the first thing that pops into your head.

Spend 5 minutes writing a short collection of “I remember” stories.

Here are a couple of examples from Joe Brainard’s novel:

“I remember not understanding why people on the other side of the world didn't fall off.”

“I remember waking up somewhere once and there was a horse staring me in the face.”

If you're running a workshop for more experienced adult authors and have at least half an hour, then this is a good one to use (this is the longest exercise on this page, but I felt it important enough to include).

Give each member the option to bring a piece of their own work that should be double spaced and a maximum of 3 pages long. If you're running a workshop where not everyone is likely to bring a manuscript, then ask everyone who wants to bring one to print two copies each (If someone forgets but has a laptop with them, the reader can always use their laptop).

Print out a few copies and hand them around to everyone in the workshop of the guide on: 'How to give constructive feedback to writers'

Each author who brought a sample with them then gives them to one other person to review. They write their name on the manuscript in a certain colour pen, then add any comments to it before passing it to a second person who does the same (commenting on the comments if they agree or disagree).

Then allow 5 minutes for everyone to discuss the feedback they've received, ensuring that they are giving constructive feedback.

Painting by Giovanni Battista Manerius -  The Five Senses

Choose a scene and write it for 5 minutes focusing on one sense, NOT sight. Choose between:

Hearing  Taste Smell Touch

This can be internal as well as external (I heard my heartbeat thudding in my ears, or I smelt my own adrenaline).

After the 5 minutes stop and everyone reads it out loud to each other. Now write for another 5 minutes and continue the other person's story, but do NOT use sight OR the sense they used.

You can use any sense to communicate the essentials, just focus on creating emotions and conveying the story with the specific sense(s).

If you need some writing prompts, here are possible scenes that involve several senses:

• Climbing through an exotic jungle
• Having an argument that becomes a fight
• A cat's morning
• Talking to someone you're attracted to

2 or 3 people

A lot of writing guides will advise you to, "Show, don't tell," but what does this actually mean?

If you want to evoke an emotional reaction from your reader, then showing them what is happening is a great way to do so.  You can do this in several ways:

Split up into pairs and each person writes down a short scene from a story where they "tell" it.  After this, pass the description of the scene to your partner and they then have 5 minutes to rewrite it to "show" what happened.  If there are an odd number of participants, make one group of three, with each person passing their scene clockwise, so everyone has a new scene to show.  After the 5 minutes, for small groups everyone reads their new description to everyone else, or for large groups, each person just reads their new scene to their partner.

• Avoid internal dialogue (thinking), instead have your protagonist interact with other people, or have a physical reaction to something that shows how s/he feels.  Does their heart beat faster?  Do they notice the smell of their own adrenaline?  Do they step backwards, or lean forwards?
• Instead of using an adjective like creepy, e.g. "Mary entered the creepy house", show why the house is creepy through description and in the way the protagonist responds - "The light streamed through the filthy skylight, highlighting the decomposing body of a rat resting on top of it.  As Mary stepped instead, she felt a gust of freezing air brush past her, she turned, but there was nothing there..."

World building is the art of conveying the magic of living in a different world, whether it's a spaceship, a medieval castle, a boat, or simply someone's living room. To master world building, it's not necessary to know every intricate detail, rather to convey the experience of what it would be like to live there.

Choose one of the above images as a prompt and spend 10 minutes writing a scene from the perspective of someone who is seeing it for the first time. Now, move your character six months forward and imagine that they've spent the last six months living or working there. Write another scene (perhaps with an additional character) using the image as a background, with the events of the scene as the main action.

Click the above image for a close-up.

Gossiping about a character as if they're a friend.

Judy Blume says that she tells her family about her characters as if they’re real people. 

Chris Claremont said, "For me, writing the 'X-Men' was easy - is easy. I know these people, they're my friends." 

Today’s exercise has 2 parts. First, spend 5 minutes jotting down some facts about a character you’ve invented that might come up if you were telling your friends about them. Either choose a character in something you’ve already written, or invent one from scratch now.

Answer the questions:

What are they up to? How are they? What would you say if you were gossiping about them?

Then split up into groups of 4 to 6 writers. 2 volunteers from each group then role-play talking about their character as if they were a friend (perhaps another character in the story).  The other participants will role-play a group of friends gossiping about the character behind their back and ask questions. If you don’t know the answer, invent it!

This is based on an acting game, to help actors understand how to perform with different degrees of emotion.

Ask everyone to write the following 4 emotions:

For groups of 5 or less, write down numbers starting with 1 and going up until everyone has a number, then give them out in order. For groups of 6 or more, divide groups into 3's, 4's or 5's.

Each person has to write a scene where the protagonist is alone and is only allowed to say a single word, e.g. "Banana".  The writer with number 1 should write the scene with a very low level of the emotion (e.g. happiness), number 2 increases the intensity a bit and the highest number writes a scene with the most intense emotion you can possibly imagine.

Once each writer has written about happiness, rotate the numbers one or two spaces, then move onto anger, then fear, then sadness.

It can help to give everyone numbers showing the intensity of the emotions to write about at the start of the exercise, in which case you may wish to print either the Word or PDF file, then use the ones corresponding to 3, 4 or 5 writers.

Everyone shares their scene with the other course participants.

The first paragraph of a surprising number of best-selling novels serves multiple purposes. These are to:

Nearly every chapter in a novel also serves all three purposes. Instead of establishing a goal though, the protagonist either moves towards it, or encounters an obstacle that hinders them from achieving it.

Some books manage to meet all three purposes with their opening lines, for example:  

Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.

J.K. Rowling ,  Harry Potter and the Philosopher's Stone  

A little more than one hundred days into the fortieth year of her confinement, Dajeil Gelian was visited in her lonely tower overlooking the sea by an avatar of the great ship that was her home.

Iain M. Banks ,  Excession  

"We should start back," Gared urged as the woods began to grow dark around them.

George R.R. Martin ,  A Game of Thrones

For this exercise write a sentence or short paragraph that serves all three purposes. If you're already writing a novel, then see if you can do this for the first line in a chapter. If not, choose any combination from the following table:

• Establish a goal
• Set the scene
• Develop a character

In pairs one writer spends a minute or two describing a character they're writing about, or alternatively they can describe a celebrity or someone from a work of fiction.  The next writer then describes their character.

The story is that these 2 characters (or in my case, person and alien, as I'm writing a sci-fi) have accidentally ended up on a blind date with each other, perhaps the waiter seated them in the wrong location, perhaps it's an actual blind date, or perhaps they met in some other fashion that the writers can determine.

Now spend 10 minutes discussing what happens next!

This exercise works best for online groups, via Zoom, for example.  The instructions to give are:

"In a few words describe a success in your life and what it felt like to achieve it. It can be a small victory or a large one."

Share a personal example of your own (mine was watching my homeschooled sons sing in an opera together).

"Once you have one (small or large), write it in the chat.

The writing exercise is then to choose someone else's victory to write about for 10 minutes, as if it was the end of your own book.

If you want to write for longer, now imagine how that book would start, and write the first part of the book with the ending in mind."

In this difficult time, this is great for reminding people of a success in their lives, and also helps everyone connect and discover something about each other.

You’re going on a dream holiday together, but can’t stand conflict, so rather than discuss what you want to do, you’ve decided that each of you will choose a different aspect of the holiday as follows:

Decide who gets to choose what at random, then each of you write down your dream holiday destination/activity/travel/food & clothes in secret.  Next spend 5 minutes discussing your dream holiday and add any other details you’d like to include, particularly if you’re passionate about doing something in real life.

Finally, everyone spends another 5 minutes writing down a description of the holiday, then shares it with the others.

• Choose where you’ll be going – your favourite holiday destination.
• Choose what your main fun activity will be on the holiday.
• Decide what mode of travel you’ll use to get there.
• If there’s a 4 th  person, choose what you’ll eat on the holiday and what you’ll be wearing.

A haiku is a traditional Japanese form of non-rhyming poetry whose short form makes it ideal for a simple writing exercise.

They traditionally are structured in 3 lines, where the first line is 5 syllables, the second line is 7 syllables, and the third line is 5 syllables again and tend to focus on themes of nature and deep concepts that can be expressed simply.

A couple of examples:

A summer river being crossed how pleasing with sandals in my hands! Yosa Buson , a haiku master poet from the 18 th  Century.

And one of mine:

When night-time arrives Stars come out, breaking the dark You can see the most

Martin Woods

Spend up to 10 minutes writing a haiku.  If you get stuck with the 5-7-5 syllable rule, then don’t worry, the overall concept is more important!

See  How to write a haiku  for more details and examples.

Unlike a haiku, which is profound and sombre, a limerick is a light-hearted, fun rhyming verse.

Here are a couple of examples:

A wonderful bird is the pelican. His bill can hold more than his beli-can He can take in his beak Food enough for a week But I'm damned if I see how the heli-can.

Dixon Lanier Merritt, 1910

There was a young lady named Bright, Whose speed was far faster than light; She started one day In a relative way, And returned on the previous night.

Arthur Henry Reginald Buller in  Punch,  1923

The 1 st , 2 nd  and 5 th  line all rhyme, as do the 3 rd  and 4 th  line.  The overall number of syllables isn’t important, but the 3 rd  and 4 th  lines should be shorter than the others.

Typically, the 1 st  line introduces the character, often with “There was”, or “There once was” and the rest of the verse tells their story.

Spend 10 minutes writing a limerick.

Imagine that your future self as an old man/woman travels back in time to meet you, the adult you are today.  Alternatively, you as a child travels forward in time to meet yourself as an adult.  Or perhaps both happen, so that the child you, adult you, and senior you are all together at the same time.  In story form write down what happens next.

Participants then share their story with other writers either in small groups, or to the whole group.

Solo exercise

One challenge writers face is describing a character and a common mistake is to focus too much on the physical features, e.g. "She had brown eyes, curly brown hair and was five foot six inches tall."

The problem with this is that it doesn't reveal anything about the character's personality, or about the relationship between your protagonist and the character and your reader is therefore likely to quickly forget what someone looks like.  When describing characters, it's therefore best to:

Here are 3 examples of character descriptions that leave no doubt how the protagonist feels.

“If girls could spit venom, it'd be through their eyes.” S.D. Lawendowski,  Snapped

"And Ronan was everything that was left: molten eyes and a smile made for war." Maggie Stiefvater,  The Dream Thieves

"His mouth was such a post office of a mouth that he had a mechanical appearance of smiling." Charles Dickens

Spend 5 minutes writing a character introduction that is animated, uses metaphors or similes and involves your protagonist.

If working with a group, then form small groups of 3 or 4 and share your description with the rest of the group.

• Animate them  - it's rare that someone's sitting for a portrait when your protagonist first meets them and whether they're talking or walking, it's likely that they're moving in some way.
• Use metaphors or similes  - comparing physical features to emotionally charged items conjures both an image and a sense of who someone is.
• Involve your protagonist  - if your protagonist is interacting with a character, make it personal.  How does your protagonist view this person?  Incorporate the description as part of the description.
• Only give information your protagonist knows  - they may know if someone is an adult, or a teenager, but they won't know that someone is 37 years old, for example.

Onomatopeai, rhyme and alliteration

Today's session is all about sound.

Several authors recommend reading your writing out loud after you've written it to be sure it sounds natural.   Philip Pullman  even goes as far as to say:

"When I’m writing, I’m more conscious of the sound, actually, than the meaning. I know what the rhythm of the sentence is going to be before I know what the words are going to be in it."

For today's exercise, choose the name of a song and write for 10 minutes as if that's the title for a short story. Focus on how your writing sounds and aim to include at least one onomatopoeia, rhyme or alliteration.  At the end of the 10 minutes, read it out loud to yourself, or to the group.

Alliterations

An alliteration example from Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner”

The fair breeze blew, the white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea.

Onomatopoeias

Buzz, woof, quack, baa, crash, purr, beep, belch,...

This is a novel way to write a story as a group, one word at a time.  The first person starts the story that begins with any word starting with “A”, the next person continues the story with a word starting with “B”, and so on.

Keep going round until you have completed the alphabet.  Ideally it will all be one sentence, but if you get stuck, start a new sentence.  Don’t worry if it doesn’t make complete sense!

It can be tricky to remember the alphabet when under pressure, so you may wish to print it out a couple of times, so the storytellers can see it if they need to, this is particularly helpful if you have dyslexics in the group.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Here’s an example of an alphabet story:

A Band Can Dance Each Friday, Ghostly Hauntings In Jail Kill Lucky Men, Nobody Or Perhaps Quiet Rats, Still That Unifies Villains Who X-Ray Your Zebras.

As I mentioned, it doesn’t need to make sense!

Small or large groups

The standard format in our group is a short writing exercise followed by an hour and a half of silent writing on our projects.

At one point I felt like we'd done a lot of small group exercises, and wanted to gain an insight into what everyone was working on, so we did the following exercise instead:

Go round the table and ask everyone to briefly talk about their writing.  Each person then asks one or two yes/no questions.

Everyone responds either by raising their hand for 'yes' or shaking their heads for 'no'. You can also leap up and down to indicate a very strong 'yes'.

Questions can be about anything, and you can use them either to help guide your writing or to help find other people in the group who have similar interests.

Here are some random examples you might ask:

This works best when you give participants some advance notice, so they have time to think of a question.

• I want to write a romance novel and am considering setting it in Paris, a traditional romantic setting, or Liverpool which is a less obvious setting. Who thinks Liverpool would be best?
• I need to know more about the life of a farmer. Has anyone got farming experience who I can interview in exchange for a drink?
• My character gets fired and that night goes back to his office and steals 35 computers. Does that sound realistic as the premise of a story?

Groups of 3 or 4

This exercise takes 20-30 minutes and allows participants to create a murder mystery outline together.

Phase 1 (3 minutes)

Phase 2 (10 minutes).

Each person then writes a police report as if they are either describing the scene of the crime, or recording the notes from their interview with a single suspect:

Write the following:

Write the following (from the perspective of the investigator):

Phase 3 (5 minutes)

See more ideas on  creating murder mystery party games

• Split into groups of 3 or 4.
• Decide as a group where the murder occurs (e.g. the opera house, a bar, a casino).
• Decide one person who will write the details of the victim and the murder itself.  Everyone else writes the details of one suspect each.
• The ‘victim author’ then invents a few extra details about the scene of the crime, who the victim was (a teenage punk, an adult opera singer, etc.) and the murder weapon and summarises this to the others.
• 1 line description of the victim.
• When they were last seen by a group of witnesses (and what they were doing).
• How the murder occurred in more detail based on the evidence available.
• 1 line description of the suspect.
• What they said during the interview (including what they claim to have doing when the murder occurs).
• A possible motivation (as determined by the police from other witnesses).
• Each person reads out their police reports to the other members of their small group.
• As a group, decide who the murderer was and what actually happened.

Pick a famous movie and spend 5 minutes writing a scene from it from an unusual perspective.  Your aim is to achieve a balance between being too obscure and making it too obvious.  Feel free to add internal dialogue.

At the end of the 5 minutes, everyone reads their movie scene to the others and all the other participants see if they can guess what the movie is.

Write a scene with 2 people in a group, where you hint that one is romantically interested in the other, but the feelings aren’t reciprocated.

The goal of this exercise is to practice subtlety. Imagine you are setting a scene for the future where the characters feelings will become more important. Choose a situation like a work conference, meeting with a group of friends, etc. How do you indicate how the characters feel without them saying it in words?

Some tips for hinting at romantic feelings:

• Make the characters nervous and shy.
• Your protagonist leans forward.
• Asks deeper questions and listens intently.
• Finds ways to be close together.
• Mirrors their gestures.
• Gives lots of compliments.
• Makes eye contact, then looks away.
• Other people seem invisible to your protagonist.

Take it in turns to tell everyone else about a current project that you’re working on (a book, screenplay, short story, etc.)

The other writers then brainstorm ideas for related stories you could write, or directions your project could take.  There are no right or wrong suggestions and the intention is to focus on big concepts, not little details.

This whole exercise takes around 15 minutes.

Exercise for groups of 3-5

If you're in larger group, split up into groups of 3 or 4 people.

Everyone writes the first line of a story in the Zoom chat, or on paper. Other people can then choose this line as a writing prompt.

For this exercise:

Once everyone's written a prompt, everyone chooses a prompt (preferably someone eles's, but it can be your own if you feel really inspired by it.)  Then write for 10 minutes using this prompt. See if you can reveal who the protagonist is, what their motivation is (it can be a small motivation for a particular scene, it doesn't have to be a huge life goal), and introduce at least one new character.

Take turns reading out your stories to each other.

• Write in the first person.
• Have the protagonist interacting with an object or something in nature.
• The challenge is to create intrigue that makes the reader want to know more with just a single line.
• Say who the protagonist is.
• Reveal their motivation.
• Introduce any other characters

Cut up a piece of paper and write one word on each of the pieces of paper, as follows:

Give each participant a couple of pieces of paper at random.  The first person says the first sentence of a story and they must use their first word as part of that sentence.  The second person then continues the story and must include their word in it, and so on.  Go round the group twice to complete the story.

You can also do this creative writing exercise with story dice, your own choice of words, or by asking participants to write random words down themselves, then shuffling all the cards together.

Every Christmas adults tell kids stories about Santa Claus. In this exercise you write a Christmas story from an alternative dimension.

What if every Christmas Santa didn't fly around the world delivering presents on his sleigh pulled by reindeer? What if gnomes or aliens delivered the presents? Or perhaps it was the gnomes who are trying to emulate the humans? Or some other Christmas tradition entirely that we humans have never heard of!

Group writing exercise

If you're working with a group, then give everyone a couple of minutes to write 2 possible themes for the new Christmas story. Each theme should be 5 words or less.

Then simply shuffle the paper and distribute them at random (or everyone types the themes into a Zoom or group chat, if you're working online). Everyone then spends 10 minutes writing a short story for children based on one of the two themes, or their own theme if they really want to.

If working alone, choose your own theme and spend 15 minutes writing a short story on it. See if you can create the magic of Christmas from another world!

In a murder mystery story or courtroom drama, there's often conflicting information and lots of links between characters and a mind map is an ideal way to illustrate how everything ties together.

Split into groups of 3 or 4 people each and place a blank piece of A3 paper (double the size of A4) in the middle of each group. Discuss between you who the victim is and write their name in the middle of the piece of paper. Then brainstorm information about the murder, for example:

Feel free to expand out from any of these, e.g. to include more information on the different characters involved.

The idea is that  everyone writes at the same time!   Obviously, you can discuss ideas, but anyone can dive in and write their ideas on the mind map.

• Who was the victim? (job, appearance, hobbies, etc.)
• Who did the victim know?
• What were their possible motivations?
• What was the murder weapon?
• What locations are significant to the plot?

New Year’s resolutions for a fictional character

If you’re writing a piece of fiction, asking yourself how your protagonist would react to an everyday situation might help you to gain a deeper insight into who they are.

One way to do this is to imagine what their New Year’s resolutions would be!

If completing this exercise with a group, limit it to 3 to 5 resolutions per person and if some participants are non-fiction writers, they can instead pick a celebrity and either write what their resolutions  will  be, or what their resolutions  should  be, their choice.

Verb Noun Fiction Exercise (Inspired by Stephen King)

Stephen King said, "I believe the road to hell is paved with adverbs, and I will shout it from the rooftops."

He also said, "Take any noun, put it with any verb, and you have a sentence. It never fails. Rocks explode. Jane transmits. Mountains float. These are all perfect sentences. Many such thoughts make little rational sense, but even the stranger ones (Plums deify!) have a kind of poetic weight that’s nice."

In this fiction writing exercise, start by brainstorming (either individually or collectively) seven verbs on seven different pieces of paper. Put those aside for later. Now brainstorm seven nouns. Randomly match the nouns and verbs so you have seven pairs. Choose a pair and write a piece of fiction for ten minutes. Avoid using any adverbs.

It’s the end of the world

It’s the end of the world!  For 5 minutes either:

If working as a team, then after the 5 minutes is up each writer reads their description out to the other participants.

• Describe how the world’s going to end, creating evocative images using similes or metaphors as you wish and tell the story from a global perspective, or
• Describe how you spend your final day before the world is destroyed.  Combine emotion and action to engage the reader.

7 Editing Exercises

For use after your first draft

I’ve listened to a lot of masterclasses on writing by successful authors and they all say variants of your first draft won’t be good and that’s fine. Terry Pratchett and Neil Gaiman summarise it the best:

“The first draft is just you telling yourself the story.”  

Terry Pratchett

“For me, it’s always been a process of trying to convince myself that what I’m doing in a first draft isn’t important. One way you get through the wall is by convincing yourself that it doesn’t matter. No one is ever going to see your first draft. Nobody cares about your first draft. And that’s the thing that you may be agonising over, but honestly, whatever you’re doing can be fixed… For now, just get the words out. Get the story down however you can get it down, then fix it.”

Neil Gaiman

Once you’ve written your first draft, it will need editing to develop the plot, enhance the characters, and improve each scene in a myriad of ways – small and large. These seven creative editing exercises are designed to help with this stage of the process.

The First Sentence

Read the first paragraph of the novel, in particular the first sentence. Does it launch the reader straight into the action? According to  On Writing and Worldbuilding  by Timothy Hickson,  “The most persuasive opening lines are succinct, and not superfluous. To do this, it is often effective to limit it to a single central idea… This does not need to be the most important element, but it should be a central element that is interesting.” Ask yourself what element your opening sentence encapsulates and whether it’s the best one to capture your readers’ attention.

Consistency

Consistency is crucial in creative writing, whether it’s in relation to location, objects, or people.

It’s also crucial for personality, emotions and motivation.

Look at scenes where your protagonist makes an important decision. Are their motivations clear? Do any scenes force them to choose between two conflicting morals? If so, do you explore this? Do their emotions fit with what’s happened in previous scenes?

As you edit your manuscript, keep the characters’ personality, emotions and motivation in mind. If their behaviour is inconsistent, either edit it for consistency, or have someone comment on their strange behaviour or be surprised by it. Inconsistent behaviour can reveal that a character is keeping a secret, or is under stress, so characters don’t always need to be consistent. But when they’re not, there has to be a reason.  

Show Don’t Tell One

This exercise is the first in  The Emotional Craft of Fiction  by Donald Maass. It’s a writing guide with a plethora of editing exercises designed to help you reenergize your writing by thinking of what your character is feeling, and giving you the tools to make your reader feel something.  

• Select a moment in your story when your protagonist is moved, unsettled, or disturbed… Write down all the emotions inherent in this moment, both obvious and hidden.
• Next, considering what he is feeling, write down how your protagonist can act out. What is the biggest thing your protagonist can do? What would be explosive, out of bounds, or offensive? What would be symbolic? … Go sideways, underneath, or ahead. How can your protagonist show us a feeling we don’t expect to see?
• Finally, go back and delete all the emotions you wrote down at the beginning of this exercise. Let actions and spoken words do the work. Do they feel too big, dangerous, or over-the-top? Use them anyway. Others will tell you if you’ve gone too far, but more likely, you haven’t gone far enough.

Show Don’t Tell Two

Search for the following words in your book:

Whenever these words occur, ask yourself if you can demonstrate how your characters feel, rather than simply stating it. For each occasion, can you use physiological descriptors (a racing heart), actions (taking a step backwards) or dialogue to express what’s just happened instead? Will this enhance the scene and engage the reader more?

After The Action

Find a scene where your characters disagree – in particular a scene where your protagonist argues with friends or allies. What happens next?

It can be tempting to wrap up the action with a quick resolution. But what if a resentment lingers and mistrust builds? This creates a more interesting story arc and means a resolution can occur later, giving the character development a real dynamic.

Review how you resolve the action and see if you can stretch out the emotions for a more satisfying read.

Eliminating the Fluff

Ensure that the words used don’t detract from the enormity of the events your character is going through. Can you delete words like, “Quite”, “Little”, or “Rather”? 

Of “Very” Florence King once wrote: “ 'Very' is the most useless word in the English language and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen .” Delete it, or replace the word after it with a stronger word, which makes “Very” redundant.

“That,” is another common word used in creative writing which can often be deleted. Read a sentence as is, then reread it as if you deleted, “That”. If the meaning is the same, delete it.

Chapter Endings

When talking about chapter endings, James Patterson said,  “At the end, something has to propel you into the next chapter.”

Read how each of your chapters finish and ask yourself does it either:

• End on a cliff hanger? (R.L. Stine likes to finish every chapter in this method).
• End on a natural pause (for example, you’re changing point of view or location).

Review how you wrap up each of your chapters. Do you end at the best point in your story? Can you add anticipation to cliff hangers? Will you leave your readers wanting more?  

The editing exercises are designed to be completed individually.

With the others, I've always run them as part of a creative writing group, where there's no teacher and we're all equal participants, therefore I keep any 'teaching' aspect to a minimum, preferring them to be prompts to generate ideas before everyone settles down to do the silent writing. We've recently gone online and if you run a group yourself, whether online or in person, you're welcome to use these exercises for free!

The times given are suggestions only and I normally get a feel for how everyone's doing when time's up and if it's obvious that everyone's still in the middle of a discussion, then I give them longer.  Where one group's in the middle of a discussion, but everyone else has finished, I sometimes have a 'soft start' to the silent writing, and say, "We're about to start the hour and a half of silent writing now, but if you're in the middle of a discussion, feel free to finish it first".

This way everyone gets to complete the discussion, but no-one's waiting for ages.  It's also important to emphasise that there's no wrong answers when being creative.

Still looking for more? Check out these  creative writing prompts , or our dedicated  Sci-Fi and Fantasy creative writing prompts .

If you've enjoyed these creative writing exercises, please share them on social media, or link to them from your blog.

Creative writing games

Writing prompts for adults

Fantasy and sci-fi prompts

Create a murder mystery game

Murder mystery riddles

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Activities for Writing Groups

Touching base.

Mutual support can be one of the most important functions of a writing group. Sometimes encouragement and the knowledge that others are interested in and committed to your work and your progress as a writer can be just as helpful as feedback. To that end, your writing group may want to reserve some time in each session to “touch base” or “check in” with one another. During this time you could:

• Describe your writing activities since the last group meeting in terms of pages written, parts of a project completed, or hurdles overcome.
• If you haven’t written much since the last meeting, you could talk about the kinds of pre-writing activities you have undertaken (research, reading, editing previous work, meeting with a professor or advisor, etc.). Or you could talk about the obstacles to writing that have hindered your progress (writer’s block, having a big exam this week, needing to gather more data before you can write, etc.).
• Explain how work that was discussed during the last meeting is now evolving in response to group comments. You might explain which comments you chose to act on, or tell how a section of the piece has been reorganized or rethought in response to the group’s feedback.
• Share your writing plans for the coming week or two so that your group members will know what kinds of writing they will see and so that you can help one another stick to your goals.
• Decide, as a group, on a theme for the next meeting—brainstorming, drafting, proofreading, style, writer’s block, etc. Choosing a writing issue to tackle together will help you understand the challenges each member is facing at the moment and enable you to plan meetings that will help group members meet those challenges.

Systems for sharing work

Some writing groups ask members to distribute their work in advance of the group meeting, particularly if the piece of writing in question is lengthy. Internet-based file-sharing platforms make it easy to share files, and groups can choose a platform that will offer their members the appropriate level of access and security. Standardized file-naming conventions will help members locate documents easily, e.g., consistently naming folders by Date_Name of writer (11.14.20_Maria or Nov. 14 Maria).

Responding to work that you read outside of the group

The following ideas might help you respond to work that has been distributed beforehand:

• Group members could write comments and suggest editorial changes on their copies of the paper and give those to the writer during the group meeting.
• Group members could prepare a written response to the paper in the form of a letter to the writer, a paragraph, a written discussion of the work’s strengths and weaknesses, or on a form developed by the group. See the Responding to Other People’s Writing worksheet in this packet for a helpful model.
• Group members could respond verbally to the piece, each offering a personal, overall reaction to writing before opening the discussion to a broader give-and-take.
• You could go through the piece paragraph-by-paragraph or section-by-section, with each reader offering comments and suggestions for improvement.
• The author could come prepared with a list of questions for the group and lead a discussion based on those questions.
• One group member, either the author or (perhaps preferably) a different member of the group, could keep careful notes on key reactions and suggestions for the author’s future reference.

Responding to writing presented during the group meeting

Some groups prefer to bring writing, particularly shorter pieces, to the group meeting for immediate discussion. You might bring a draft of an entire paper, a section of a paper, or just a sentence or two that you can’t seem to get “just right.” Many of the above ideas will work just as well for writing that has been presented during the meeting of the writing group. However, since writing presented during the meeting will be new to everyone except the author, you might try these additional strategies:

• Read the paper aloud to the group before launching discussion. The author could read, or another member of the group could read while the author notes things that sound like they might need revision. You could either read the entire text or break it into chunks, discussing each after it is read.
• Group members could also read silently, making notes to themselves, before launching the discussion.
• Read the first paragraph or first section aloud and have everyone in the group briefly write down what he or she thinks the paper will be about or what he or she thinks the thesis of the paper is. Share those responses in discussion.

Sharing writing without the anticipation of feedback

Sometimes, especially with new writing or writers needing a boost of confidence, it can be helpful to share writing without anticipating feedback. This kind of sharing can help writers get over fears about distributing their work or being judged:

• For writers undertaking long projects, sharing a piece can serve to show the rest of the group the progress made since the last meeting, even if the author doesn’t need feedback right now.
• Sharing a piece of writing without expecting feedback can provide the writer with a deadline to work toward without generating anxieties over whether or not the piece is “good enough” to share.
• Sharing writing early in a writing group’s work together can be a no-pressure way to get to know one another’s projects and writing styles.

Brainstorming as part of the group process

Writing groups can provide not only feedback and a forum in which to share work, but also creative problem-solving for your writing troubles. Your group might try some of these brainstorming ideas:

• Have one group member identify a writing problem that needs to be solved. Ask each group member to free-write possible solutions.
• Cut up a copy of a paper that needs organizational changes so that each section, main idea, or paragraph is on its own slip of paper. As a group, move the pieces of paper around and discuss possible options for reorganizing the work.
• After reading a piece, generate a list of items that the group might like to know more about. Organize these questions into categories for the author to consider.

Writing during writing group meetings

Your writing group may choose to write during some of its meetings. Here are some ideas for what to write:

• If everyone in the group has a major deadline approaching, use one session as a working meeting. Meet in a computer lab or other location in which everyone can write and work independently, taking breaks periodically to assess your progress or ask questions.
• Use some writing group time to free-write about your writing project—new ideas, to-do lists, organizational strategies, problems, or sentences for your drafts would all be appropriate topics for free-writing.
• Free-write about the writing process (you could all write about “How I start to write” or “The writing environment that works for me” or “When I sit down to edit…”) and share your responses with one another.
• Write about the dynamics of the writing group as a way of getting everyone’s ideas out on paper. You could free-write about the kinds of feedback that help you, what you like about each other’s writing, your frustrations with the group, and your suggestions for improving the way the group works.
• Spend a few minutes of each meeting practicing a new writing or editing technique you would like to explore.
• See the Writing Exercises handout for more ideas.

Reading during writing group meetings

Just as writing during group meetings can prove beneficial, reading can sometimes help writing groups work together better:

• Pick a book on writing such as Bird by Bird, Writing with Power, Writing Down the Bones, Writing Without Teachers, or Writing Your Dissertation in Fifteen Minutes a Day and assign yourselves sections to read for each meeting. Discuss the reading during some part of the group’s meeting each time.
• Read about a particular writing topic such as editing techniques or writer’s block during the group meeting, and then spend the session working on that aspect of one another’s writing.
• Bring a piece of writing (an article in your field, an article from a journal or magazine that you enjoyed, or a piece of fiction) that you think is especially well-written. Read over it as a group and talk about what the author did in the piece that made it so effective.
• Bring pieces of data or evidence that you are using in your writing and share them with the group. If the group becomes familiar with the things that you write about, they may be better able to help you write about them effectively.

Bring in a guest

Just as guest lecturers in courses sometimes spice up the classroom experience, guests in writing groups can enliven the discussion:

• Invite a friend’s writing group to have a joint meeting with yours. Share writing from all participants and also talk about writing group strategies that have worked for each group.
• Invite a faculty member or other guest writer to your group to talk about his or her writing process and to offer suggestions for improving your own.
• Bring in a friend who is working on a project related to the project of a group member. This may help your group member develop a network of people interested in his or her particular topic and may also show your friend how helpful a writing group could be.

Your writing group can also help you plan your writing schedule for the week:

• Discuss your writing goals, both broadly and for the immediate future. Ask your group if those goals seem realistic.
• Ask group members to e-mail you with reminders of deadlines and encouragement.
• Create a group calendar in which you all set goals and deadlines for your writing. This calendar could be for a week, a month, a semester, a year, or more. The Writing Center publishes a planning calendar each semester.
• Give each other writing “assignments” for the next meeting.

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How to Start a Creative Writing Club

Last Updated: October 25, 2022 References

This article was co-authored by Ashley Pritchard, MA . Ashley Pritchard is an Academic and School Counselor at Delaware Valley Regional High School in Frenchtown, New Jersey. Ashley has over 3 years of high school, college, and career counseling experience. She has an MA in School Counseling with a specialization in Mental Health from Caldwell University and is certified as an Independent Education Consultant through the University of California, Irvine. This article has been viewed 33,286 times.

Do you have a passion for creative writing that you want to take to the next level? A great way to grow your writing skills is to start a creative writing club, where you can share your work with others who are invested in cultivating the same craft. Working with people who share similar interests to you is both fun and incredibly rewarding!

Things You Should Know

• If you’re a student, talk to your favorite English teacher and ask them to sponsor the club; the odds are extremely high that they’ll be thrilled by the idea!
• If you’re running the club, remember that different members are likely there for unique reasons—include a variety of poetry, fiction, non-fiction, and screenwriting activities.
• For a younger crowd, include a writing activity with every meeting and encourage members to share their work—be super supportive!
• Make sure that if you’re doing any workshop-style discussions that the members understand that critiquing someone’s work does not mean criticizing them as people.
• Clubs with older members will likely attract a good number of experienced writers, so you may want to start meetings by asking members if they’ve been working on anything they’d like feedback on before going into activities, lectures, or discussions.

Forming Your Club

• Possible locations include your house, public park, an open classroom, or anywhere else you can meet and converse without disturbing others.

• Word of mouth: Invite friends and acquaintances, and ask them to spread the word and bring their friends! Talk openly and excitedly about your club: your enthusiasm will help draw the interest of others. It’s a good idea to invite very broadly to begin with: the people who are truly invested in your club will show up and stick around.
• Posters and fliers: Design a cool flier and post it around school or your workplace! This is a nice way to draw attention to your club.
• Social media: For example, you can create a Facebook Event for the first meeting and share it widely with your friends!

• If you do decide to ask someone to be your advisor, be considerate of their time and respectful when making your request. Sending them an introductory email explaining your plans (in as much detail as you can) will allow them to make an informed decision. It is also courteous to offer to meet in person or talk over the phone/Skype so that they can ask any questions they might have before they make their decision.
• Advisors can be involved in a variety of ways, and this should be a conversation that you have directly with your potential advisor. Will they attend meetings? Will they offer guidance from afar? These are questions that are best to ask early on.

• This is related to possibly need an advisor: some schools require an advisor's signature on club registration forms. Once again, just be sure to research your school, university, or organization's requirements.

Holding for Your First Meeting

• You can choose an icebreaker that is relevant to the theme (if applicable) of your club, or you choose something entirely random. The point of this activity is to lighten the mood and help your members get to know each other and feel more comfortable opening up and sharing their work. Classic icebreakers like " Two Truths and Lie " (where everyone shares two true facts and a lie about themselves, and others guess the fabrication) and the "Name Game" (where each person has to find an adjective to describe themselves that starts with the same letter as their name) can be great simple options. [2] X Research source

• Write about an animal of your choice.
• Open up a dictionary, pick a word, and write what it means to you.
• Create a poem or story that starts with "Hello."
• Write a piece that's inspired by a conversation you've recently overheard.
• Write about something you dread or fear.

• If voting proves too messy (this might be the case, especially if you have many members), an easy and neutral online tool that may help you decide when to hold meetings is doodle.com (or other similar scheduling applications).

• Is your main goal as a group to spark new writing ideas together and actually practice writing during the meetings, or to critique and improve one another's written works? Alternatively, you may want to operate as more of a social/support group for writers, where you talk about your craft and hold one another accountable for your personal writing goals. Decide your focus together, and build that into your mission. [4] X Research source

• Bringing a large sheet of paper and pens (or whiteboard markers if your location has a whiteboard) can be a nice way of involving members in this process. Members can take turns suggesting and writing ideas. You can keep this piece of paper as a reminder for future meetings, or you can take it, type it up, and print it and share copies (or a combination).

Keeping Your Club Going

• It is helpful to bring a notebook to meetings so that new members can share their e-mails and/or phone numbers, and so that you can then add them to any groups or lists.

• It's a good idea to start an e-mail list, a Facebook group, and maybe a group chat so that you can add members and keep them informed and up to date on club meetings and activities. It's all up to you, but clear communication will help your club flourish.

• If you do choose to have writing partnerships be a part of your club structure, you may want to consider assigning writing partners randomly as well as have people change partners periodically. It's a good idea to try to prevent cliques from forming for many reasons: so that no one feels left out, so that members are receiving feedback on their work from multiple perspectives, and so that people are establishing many connections with many different members of different style, backgrounds, and personalities.
• Give members ideas of how to connect with their writing partner. Suggest accessible practices such as, "After you've written your piece, share it with your partner via Google Docs so that you can read each other's work. Then, coordinate a time to meet and discuss one your work in person." Encourage members to do whatever feels most comfortable to them.

• One way to do this is creating and sharing the link to a standing Google Form that is specifically designed for feedback. Creating an anonymous Google Form (or whatever type of digital survey works best for you) will encourage members to voice their opinions. It's good to establish protocol for how this feedback will be dealt with, early on: will you (as the leader) check the responses regularly, and will suggestions be discussed at meetings?
• Another way to gather feedback is to designate an allotted amount of time during meetings to open up the discussion for feedback and suggestions.
• If you and your members do decide that you want to discuss feedback weekly (however you choose to gather it, whether electronically or during meetings), you may also want to discuss the format of this discussion. Will it be an informal discussion? Will people vote? Will it depend on the feedback? These are good points to consider early on when determining club guidelines.

• Let members know what they should bring to the next meeting (i.e. laptop, notebooks, pens, etc.).
• Ideally, set at least a loose agenda for your next meeting, before you wrap up your first one. Your goal should be to get right down to writing and club discussions in your subsequent meetings, now that you've set some ground rules and expectations. [6] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source

Community Q&A

• Bringing snacks can be a fun addition to any meeting. But be sure to communicate any allergens (nuts, dairy, etc.)! This will help incentivize people to come to the meetings, and—particularly if your club is hosted during lunch or after school—makes sure that no one is hungry entirely. Thanks Helpful 0 Not Helpful 0
• Bringing some extra notebooks and pens to the first meeting (or first few meetings) is always a good idea, just in case someone forgets their own. Thanks Helpful 0 Not Helpful 0
• Try this fun activity: Pass sheets of paper around so everyone has one. Have everyone write the beginning of a story, pass the sheet to the person on their right, and have them continue the story (then folding the sheet over so the next person can only see the most recently added sentence, not any of the previous sentences). It's sort of like the game "telephone," and you can theme it around a particular topic! Thanks Helpful 0 Not Helpful 0

You Might Also Like

• ↑ http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/7-questions-to-ask-yourself-before-starting-a-writers-group
• ↑ https://icebreakerideas.com/quick-icebreakers/
• ↑ http://thinkwritten.com/365-creative-writing-prompts
• ↑ https://www.inkedvoices.com/writing/types/
• ↑ http://writingcenter.unc.edu/handouts/writing-groups/writing-group-starter-kit/

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November 20, 2014 by Tricia Goyer 2 Comments

6 Activities for Your Kids’ Writing Club | For Teens & Preteens

6 activities for your kids’ writing club: for teens & preteens.

One of my favorite extracurricular homeschool activities was leading a monthly home-school writers’ club. We called ourselves “Writing Nerds” because that’s what we were: a group who loved reading and were interested in writing. Our group was made up of junior high and high school homeschoolers. We met for an hour and a half each month. If you like reading, and know the basics of fiction writing, consider starting a group.

Here are some activities to get your kids’ writing group started!

5 minute story:.

Give each student each three slips of paper. On the first they have to write a person/character. On the second they have to write a setting. On the third they have to write a conflict. I had a basket for each (characters, setting, conflict), and they tossed them all in. Then they had to draw one slip of paper out of each basket . . . and they had five minutes to write a story about their character, conflict, and setting. I told them they had to:

• Open with dialogue in paragraph #1
• Describe the action in paragraph #2
• Then they could describe the setting in paragraph #3.

After that they could continue with the story as they saw fit. They then read the stories out loud, and they were HILARIOUS! I still remember one was about a nun who had to bail from a plane that was crashing in Paris.

Teaching Dialogue:

To teach dialogue I used plays (such as mixed-up fairy tales). Here are some free ones: freeschoolplays.com .  We assigned parts and read sections of them out loud. Then I had them write the dialogue of the same characters in a different situation. For example, what if Baby Bear in the three bears showed up at the first day of school and his seat mate was Goldilocks?

Color Coding:

I photocopied the first pages of a novel—such as Kingdom’s Dawn by Chuck Black—and gave everyone a copy and crayons.

• Red for action.
• Green for dialogue.
• Yellow for internal thoughts.
• Orange for description.
• Pink for emotion.

This really helped them see how novels are not just narrative (this happened, then that happened, etc.). Sometimes I had them write their own story following the same “color pattern.” The results were impressive. Sometimes we colored the openings to two different novels and then compared the authors’ writing style.

Snowflake Method:

We used Randy Ingermanson’s Snowflake Method and “plotted” a novel. You can learn more about the SnowFlake method here .

3 Likes + 1 Dislike:

We assigned people to bring short stories or parts of their book to class every week. They had a limit of 1,000 words, and they had to make enough photocopies for everyone in class. We passed around the story and gave eight to ten minutes for them to read the story. Then everyone had to go around and share three things they liked and one thing they didn’t like. I was the last to comment after everyone was done, and I did the same (but I usually gave two or three suggestions about ways they could improve their story). I was amazed how insightful the students were. The majority of the time they discovered all the “issues” by the time it got to me

Sensory Exercise:

I had a collection of objects—steel wool, sponge, a plant, coins, etc.—that they could handle, and they had to write descriptions of them. Then they had to use that same description and describe something else—for example the description for steel wool became the description for a night’s armor.

Those are a few ideas to get you started. A writing club is great fun and educational, too!

Download the printable for FREE to use for your writing club!

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Homeschooling for the Rest of Us by Sonya Haskins

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Everybody Writes: writing groups

Added 29 Aug 2019 | Updated 26 May 20

A writing group is a great way to establish a writing culture in your school. The resources provided on this page provide guidance on starting your own writing club, and will help you inspire students to enjoy writing as well as developing skills. The activities work well for extra-curricular writing groups, but can also be used with smaller groups within class teaching.

Writing club guides

These are available for both primary and secondary audiences and include:

• guidance on setting up a writing club
• tips on planning
• games and activities
• advice on evaluating the impact of the club
• how to sustain the club over time.

Once your writing club is up and running, you might be interested in some of our other resources:

• Do you have the next Lenny Henry or Sarah Millican in your writing club? Try our Comedy Classroom resource produced in partnership with the BBC
• Cressida Cowell's Free Writing Friday resources have some great tips for free writing and getting the creative juices flowing

We will continue to update the page with real examples from schools around the UK. To share the achievements of your writing club, please email us .

Find out more about Everybody Writes .

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• Writing Activities

18+ Creative Writing Activities To Make Writing Fun

Make writing less boring with these 12 fun creative writing activities for kids. 

When most children think of writing, they think of lined paper with thousands of words written on it, line by line with the occasional spacing for paragraphs. But writing doesn’t need to be that boring and gloomy. Today we bring you12 creative writing activities to make writing fun and colourful!

How to Make Writing Fun

It is important to show your kids that there’s more to writing than just homework and long essays. Writing can be fun and it doesn’t always involve writing thousands of words in a formal structure. It’s time to stop worrying about sentence structure, grammar and spelling mistakes. Instead, encourage your kids to explore their creativity and write down their thoughts as they come in any format they like. Here are 12 fun creative writing activities that will boost your child’s creativity, imagination and encourage them to write for fun.

18+ Fun Creative Writing Activities

Use story maps.

Story maps are a great way to unleash your child’s imagination. You can either create your own or print out one of these free story map templates . To create your own story map, you’ll first need a location. This could be anywhere, a planet , an island , the woods or even your hometown. Don’t worry, you don’t actually need to leave your home to enjoy this activity. 

Next draw out a simple map of the location. The map must have a starting point and an endpoint. Here is an example of our treasure island story map:

You can see that we marked the starting point with a star. And the end point with a red cross. Once this is done, you need to put loads of obstacles, challenges and interesting things on the map for your child to explore and engage with in their imagination. This could be a giant octopus monster, a lava lake, a cunning princess or even some secret symbols or lettering. 

Once you have completed creating your action-packed story map (or printed out one of our free templates) – It’s time for the real adventure to begin. Give the map to your child and together you can pretend that you have landed in a whole new location. 

Start from your bedroom (or your imaginary pirate ship) and make your way through the obstacles to find the secret treasure located in a mysterious cave (or the shed in your backyard). As you go through the map, think about the characters you might encounter, items you might find and even challenges you could face.

After your little adventure, your child will be inspired and ready to write about the adventure they just experienced! Go ahead and check out these free story map templates to get you started:

• Forest Story Map
• Island Story map

Create Some Paper Finger Puppets

Puppets and toys are a great way to stimulate imaginative play. In particular, creating your own paper finger puppets is a brilliant creative activity to boost your child’s imagination and make story-telling more fun. When creating your own finger puppets, your child can create any character they like. If they love football , try creating some famous football players, and if they love Harry Potter , get them to create some wizard themed characters. Whatever your child’s interest, combine it with story-telling, and make storytime extra fun.

To get you started, you can download our free paper finger puppet templates by signing up to Imagine Forest:

Create your own paper characters, props and background. Then let the role-playing begin!

Would You Rather Game

Kids love playing games. The Would You Rather game is a great way to boost logical thinking and communication skills. Print out our free Would You Rather game cards pack, to get a mix of funny, gross and Disney themed questions. Then get at least three players in a team to begin the game. The purpose of the game is to convince the whole team that your answer to the question is the best one and to get other players to agree with you. This game is guaranteed to get your kids laughing and thinking logically about the answers they pick. 

Telephone Pictionary Game

Another brilliant creative writing activity is the Telephone Pictionary Game . The basic idea behind this game is to write a story collaboratively with your team using drawings and phrases. Together as team members take turns to write/draw something down. They’ll be improving skills such as creativity, teamwork and communication skills. And when the game is over, they’ll have a really funny story to read!

Create Some Shape Poetry

Poetry is a quick and short writing activity to get kids engaged in creative writing. But writing a typical haiku or limerick can get boring over time. To add a little more excitement gets your kids to write poems in the shape of something. For example, your child could write a poem about cats , in the shape of a cat:

Not only are these poems great to read, but they also make wonderful pieces of artwork. For more inspirations, check out our Alice in Wonderland inspired shape poetry .

Finish The Story Game

The finish the story game is the simplest creative writing activity in our list. In a team of at least 2 players, each player takes turns completing a story. Start off with a random story starter and then each player takes turns to continue this story. Which way will the story go? No-one knows. And that’s the real beauty of this game. Let your child explore their imagination and come up with wild ideas to keep the story interesting. And by the end of the game, you’ll have a really unique and funny story to read. 

Use Image Prompts

Image prompts are a great source of inspiration. And can be used in a number of ways to encourage your child to write. For instance, you can ask your child to write a quick snappy slogan for a random image or photograph. Alternatively, you could play a whole game centred around a single image, such as the Round Robin Tournament game explained in our post on storytelling games using image prompts .

Story Cubes To Inspire

Inspiration is key in making writing fun for kids. That’s where story cubes come in handy. You either buy ready-made story cubes or make your own story cubes at home. If you’re interested in making your own story cubes, check out these 9 free story cube templates for ideas. Once you have a bunch of story cubes, you can simply roll them like dice and then challenge your kids to write a story based on the images they get. For game ideas using story cubes, check out this post on how to use story cubes . 

Create A Comic Strip

If your kids hate writing but love drawing, then comic strips are a great creative activity to sneak in some minor writing with huge levels of imagination. Pick a topic, any topic you like. This could be related to your child’s interest and then ask them to create a short comic strip about that topic. For example, if you child loves dinosaurs, ask them to create their own comic strip about dinosaurs. For more inspiration and ideas, check out this post on how to create your own comic strip and comic books at home. 

Make Your Own Pop-up Book

Another fun way to get your kids to write more is by creating your own pop-book books. Pop-up books seem really complicated to create, but in reality, they are really easy to make at home. All you need is some paper, scissors and glue. Check out this super easy tutorial on how to create your own pop-book at home for quick step-by-step instructions. Similar to comic strips, pop-up books are a great way of combining drawing with writing to get your kids writing more in a quick and fun way. 

Create Mini Booklets

Turn your child’s story into a real book! You can buy blank books from Amazon or create your own mini paper book, using this easy mini notebook tutorial . With this tutorial you can create a fully customisable book, with your own cover, back page and you can even draw your own illustrations inside! This is a really fun and cute way to gets your kids writing in their spare time.

Write A Letter With a Fun Twist

Forgot ordinary boring letters! Check out our Paper craft animal envelopes to encourage your kids to write letters to their friends, family, heroes, aliens, anyone they like! Inside the child can write any message they like, such as “how were your holidays…” or “We’re having a party this weekend…” And on the outside they can create any animal or creature they like as envelopes. 

Describe a Monster

Ask your child to draw their own monster or character and describe it. – What are its strengths, and weaknesses, where does it live, what does it like doing and so on? This creative writing activity is quick, simple and full of imagination! And you could even take this a step further by creating your own monster flip books !

Use Story Starters

Use story starters to inspire reluctant writers. These can be simple sentences, such as “It was Timmy’s first day at school and he was excited…” and your child can continue writing the rest of the story. Or you could use photos and your child’s drawings to inspire story-writing by asking the child to describe what’s happening in this image. Take a look at this post on 60+ first-line prompts to inspire you or you could view our mega list of over 300 writing prompts for kids .

Create Your Own Greeting Cards

Get your child to create their own Christmas cards , greeting cards or get well cards to send to someone they know. They can write their own personal message inside and draw a picture on the outside. Quick activities like this are a great way to sneak in some writing with some arts and crafts. 

Create Your Own Newspaper

Ask your child to write their own newspaper article or create their own newspaper about the daily events that happen at home or at school. Remember the use of the 5 W’s and 1 H when writing newspaper articles. Our newspaper challenge online activity is great for creating fun newspaper articles.

Make A Shopping List

Get the kids involved in the weekly grocery shopping! Ask them to write the shopping list with drawings. If the grocery shopping list is too boring, then get them to create a wish list of items they dream of owning or even a list of goals they want to accomplish. You can buy some really pretty shopping list pads from Amazon , which could be a great way to encourage your kids to get writing!

Re-tell some fairytales

Fairytales have been around for centuries and by now they need a modern twist. Challenge your child to update an old classic. And you could even use this free ‘Retell a fairy tale pack ’ to help you. Re-telling a fairytale is a lot easier than creating a whole new one – Simply ask your child to change one or two key elements in the story and see how it changes the entire fairytale. For example, what if Cinderella was the villain? Alternatively, you could go wacky and add a whole new character to a classic fairytale, such as Spiderman making an appearance in Jack and the Beanstalk. The possibilities really are endless!

Write Your Own Movie Script

Ask your child to write their own short movie script, they can create a cast list and give all the different characters different things to say. You can find a free script and cast list template here ! Think about the conversation between the characters, what problems would they encounter, who is the villain in this story? We also think these free finger puppets printable could be great for story-telling.

Hand-written Blogs

Ask your child to keep a simple hand-written blog about their hobbies and interests. This can be done in a journal or notebook. Ask them the following questions: What do they like doing in their spare time and why do they enjoy this. Maybe ask them to provide instructions on how someone else can also be good at this hobby. They can update their hand-written blog everyday with new tips and interesting pieces of information on their hobby.

Wanted Posters

Create a ‘Wanted’ poster for famous villains in storybooks, such as Miss Trunchbull from Matilda or Cinderella’s Stepmother. You can find a free blank template here . Alternatively try out the Most Wanted online activity on Imagine Forest, to create your own wanted posters online:

Storyboarding

Writing a whole story down can be cumbersome. That’s why storyboarding can make a really good creative writing activity. Instead of asking a child to write a whole story down, get them to think about the key events in the story and plan it out using a storyboard template . Planning their story out beforehand could even encourage your child to write a complete story down afterwards. The first step is always planning out what you are going to write, and this could give your child the confidence to keep going. 

Know anymore fun writing activities for kids? Tell us your ideas below.

Marty the wizard is the master of Imagine Forest. When he's not reading a ton of books or writing some of his own tales, he loves to be surrounded by the magical creatures that live in Imagine Forest. While living in his tree house he has devoted his time to helping children around the world with their writing skills and creativity.

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The following is a list of writing activities for the Writing Activity Days in the schedule. This list is not final—feel free to submit ideas you have for Writing Club Writing Activities!

• A variation of this would be to do a One Sentence Pass-Along writing activity. Everyone gets 1 minute (progressively longer time allotted as the stories get longer) to write a sentence to continue a story and then passes their paper to the next person.
• Another Variation involves the one pass method in which participants get 5 minutes the first round to start a story and the next person takes the rest of the time to finish the story.
• Note: everyone must write, not type, but WRITE a response for this activity.
• Everyone comes up with 2 truths and a lie about themselves and imbeds these in some writing work. After everyone is finished (or before 4:40pm), one by one everyone shares what they wrote. After a person shares, the group will try to guess what are the two truths and what is the lie.
• Everyone lists 10 things they know to be true. These “things” can be about friends, technology, writing, love,  or whatever you want. Don’t over think it, just use what comes naturally to you. Everyone must do this in 10 minutes (or less). Afterwards, everyone shares their list of 10 truths. This, in turn, is the writing prompt. What perspective have you gained from listening to all these truths you heard from other people? Did you share any of your truths with anyone else? Did anyone have the opposite of your truth?
• Everyone brings in an object to the Writing Club meeting. After everyone arrives, we organize ourselves so we are sitting in some random yet organized order (youngest to oldest, shortest to tallest, etc). Then, everyone passes their object to the person on their right and receives an object from the person on their left. After passing objects 2-3 times, everyone uses the object in front of them as prompt.
• Everybody works off the same original writing prompt, but is assigned a different genre (ex. – science fiction, fantasy, mystery, etc.). At the end of the meeting, we all compare how differently our writings turned out.
• Everybody works off the same original writing prompt, but is assigned a different form (ex. – postcard, letter to a friend, newspaper article, college essay, letter of complaint, elementary school assignment, scientific notebook, diary entry, etc.). At the end of the meeting, we all compare how differently our writings turned out.
• Beginning with a regular prompt everyone will write a 3 sentence story. After they have done so and shared their work with the group, everyone will convert their 3 sentence story into a 6 sentence paragraph. Once again, everyone shares, and then they develop their story into 3 paragraphs…
• Everyone writes down two nouns, two verbs, and two adjectives and puts them on little slips of paper to add to the 3 piles (nouns, verbs, adjectives). The piles are mixed and everyone choose one of each pile and writes some work using those three things as inspiration.

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• You’ll find additional teaching ideas and creative writing activities in Linda Leopold Strauss’s book, Drop Everything and Write! An Easy, Breezy Guide for Kids Who Want to Write a Story.
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20 Creative Writing Activities for Elementary Students

March 29, 2022 //  by  Milka Kariuki

Writing activities have an emotional toll on young learners, given the sheer volume of letters to learn by heart, words to spell, and sounds to remember. Your students will be more excited doing tasks they consider easier, such as character description. Perhaps it’s time you considered introducing fun activities to help the learners in their writing. Here are 20 of our go-to fun activities for creative writing skills among elementary kids.

1. Writing a Comic Strip

Create a comic book idea, leaving the speech bubbles around the characters empty for the students to fill. Alternatively, you can source the comic from your favorite magazine or author and rub out the dialogue between the characters for the learners to complete.

Learn more: My Cup Runs Over

2. Mad Libs

Have the students copy a few paragraphs from a famous book. Ask them to erase words they wish to remove and replace them with a blank line. Under the space, the students should give a hint to indicate the required type of phrase or word.

3. Vocabulary Challenge

Select a new word for the learners and explain its meaning to them. Ask them to create a sentence using the new term. Tell them to practice writing an entire story based on this word. 

Learn more: First Cry Parenting  

4. Using an I-Spy Jar

Ask a reluctant writer to practice writing their names by fetching and arranging all the letters that make it. For an older writer, ask them to pick an object from the jar, redraw it and give a brief description of what it is or the scene.   

Learn more: Imagination Tree

5. Identifying Objects

This reading and writing game is suitable for pre-kindergarten  and kindergarten-aged students. Ask them to color the object highlighted in the descriptive sentence. It enhances their fine motor skills, memories, and emotion.

Learn more: Kids Learning with Mom  

 6. Picture Dictionary

The goal of picture dictionaries will help early learners who are struggling with creative writing exercises and reading skills. Ask children to match the words provided at the top to the activities being performed in the pictures. This reading and writing activity can be developed for individuals, families, or the classroom.

Learn more: Childrensbooks 

7. Journal writing

Journal writing works for learners who excel in creative stories or drawing. Have your students engaged in daily writing tasks. For instance, what food did they eat for lunch or a boring character in a favorite piece of writing?

8. Roll a Story

Roll a story will have the learners enjoy rolling dice to discover the character or scene they will be exploring in their writing. Examples of a scene they can get include casino, school, or ancient pyramid.

Learn more: Teachers Pay Teachers

9. Copy-writing

On a drawing paper, make a word entry and ask the pupils to highlight it with a paintbrush or crayon. These creative writing exercises' goal is to enhance the learner’s artistic, emotional, and fine motor skills .

Learn more: Little Learners

10. Pass-it-on Story Writing

This writing game engages the language input of creative writing classes. Write the first scene of a story on a piece of paper. Have the learners come up with a sentence that continues the story. The paper is then passed on to the next child until every student has written something.

Learn more: Minds in Bloom

11. Sentence Scramble Writing

This writing activity's goal is to help children to improve their writing and sentence-building abilities. Ask the child to cut out the words at the bottom of the paper and rearrange them correctly to form a sentence.

Learn more: Twinkl

12. Picture Writing Prompts

Creative writing prompts activities test not only imagination but also a learner’s ability to make conversation on behalf of characters. Provide an entry with a picture accompanied by 3-4 writing prompts to guide them in exploring the scene. A sample question for the scene above will be, “Do the lambs feel safe with the lion?”

Learn more: Homeschool Adventure

13. Cut Out My Name 

Help your kindergarten students in writing their names with this fun writing activity. Print out the learner’s name. Next, print the letters of the pupil’s name and mix them with a few random characters. Cut them apart and ask them to sort out the letters in their name.

Learn more: Simply Kinder

Writing cards helps students to engage in purposeful moments. Provide the learners with blank holiday or birthday cards. Ask them to draw or write something to the card’s receiver. Alternatively, students can design their cards and write down the desired message.

Learn more: Learn with Homer

15. Grocery List

Sit down with the child and help them write a list of healthy food items or other household objects you require. In the grocery store, have them cross out the items as they are added to the shopping cart.  

Learn more: Kids Night in Box

16. Label a Diagram

Engage your child’s reading and writing abilities by printing out a diagram of simple objects such as flowers, insects, or external human body parts. Provide a list of the answers to the parts and ask them to write the word that matches each in the blank space.

Learn more: Classroom Freebies Too

17. Disappearing Words

On a chalkboard, write down a word. Ask the learners to erase the word with a wet sponge. This way, the learners will learn how to design the letters of the alphabet. Although this writing activity is the opposite of copywriting, they both serve the same purpose.

18. Write a Story Based on the Ending

Test your student’s creativity by providing them with writing prompts that focus on an entire book, a song, or a famous story. For instance, ask students to write a story based on the ending, “And they lived happily ever after." 

Learn more: Kid Pillar

19. Found Poetry

Collect words or a group of words from a favorite story or song. You can either write them on a piece of paper or cut them out of a printed page. The overall goal is to rearrange the words differently to make an interesting poem with a unique writing style or genre. 

Learn more: Homeschooling Ideas  

20. Sticky Notes Story

Learners may have much to say in conversation prompts but get stuck when doing the actual writing. Sticky notes will help them in aspects of writing. A student can write anything ranging from a favorite author, a favorite food, or fantasy elements.

Learn more: Teaching Made Practical

55 Creative Writing Activities and Exercises

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Have you ever heard these questions or statements from your students?

• I don’t know where to begin.
• How can I make my story interesting?
• I’m just not creative.
• What should my story be about?

If so, you won’t want to miss these creative writing activities. 

What Are Creative Writing Activities?

Activities that teach creative writing serve as drills to exercise your student’s writing muscle. When used effectively, they help reluctant writers get past that intimidating blank paper and encourage the words to flow. 

When I think of creative writing exercises , writing prompts immediately come to mind. And, yes, writing from a prompt is certainly an example of a creative writing activity (a highly effective one). 

However, writing prompts are only one way to teach creative writing. Other types of activities include games, collaboration with others, sensory activities, and comic strip creation to name a few.

Unlike writing assignments, creative writing activities aren’t necessarily meant to create a perfectly polished finished project. 

Instead, they serve as more of a warmup and imagination boost.

Picture-based writing exercises are especially fun. You can download one for free below!

get this picture prompt printable for free!

How to use creative writing exercises effectively.

When teaching creative writing , the most effective exercises inspire and engage the student. 

Remember that worn-out prompt your teacher probably hauled out every year? 

“What I Did This Summer…” 

Cue the groaning. 

Instead of presenting your student with lackluster topics like that one, let’s talk about ways to engage and excite them. 

For Kids or Beginners

Early writers tend to possess misconceptions about writing. Many picture sitting down for hours straight, polishing a story from beginning to end. 

Even for experienced writers, this is next-to-impossible to do. It’s preconceived ideas like these that overwhelm and discourage students before they’ve even started. 

Instead of assigning an essay to complete, start with simple, short writing exercises for elementary students such as:

• Creating comic strips using a template
• Talking out loud about a recent dream
• Writing a poem using rhyming words you provide
• Creating an acrostic from a special word

Creative writing exercises don’t have to end in a finished piece of work. If the exercise encouraged creative thinking and helped the student put pen to paper, it’s done its job. 

For Middle School

Creative writing activities for middle school can be a little more inventive. They now have the fundamental reading and writing skills to wield their words properly. 

Here are some ideas for middle school writing exercises you can try at home:

• Creating Mad Lib-style stories by changing out nouns, verbs, and adjectives in their favorite tales
• Storyboarding a short film
• Writing a family newsletter
• Creating crossword puzzles

For High School 

Your high school student may be starting to prepare for college essays and other important creative writing assignments. 

It’s more critical than ever for her to exercise her writing skills on a regular basis. 

One great way to keep your high schooler’s mind thinking creatively is to have her make “listicles” of tips or facts about something she’s interested in already. 

Another fun and effective creative writing exercise for high school is to have your student retell classic stories with a twist. 

List of 55 Creative Writing Activities for Students of All Ages

No matter what age range your students may be, I think you’ll find something that suits their personality and interests in this list of creative writing ideas. Enjoy! 

• Using only the sense of hearing, describe your surroundings. 
• Write a paragraph from your shoes’ point of view. How do they view the world? What does a “day in the life of a shoe” look like?
• Imagine what the world will be like in 200 years. Describe it. 
• Write a letter to someone you know who moved away. What has he or she missed? Should he or she move back? Why? 
• Make up an imaginary friend. What does he or she look like? What does he or she like to do?
• Create a story about a person you know. Use as many details as possible.
• Write a poem that describes a place you have been.
• Soak up the season you’re in with seasonal creative writing prompts. Here are some ideas for fall and winter .
• Write a song where each line starts with the next letter in the alphabet. 
• Create a list of words related to something you love.
• Write a short story based on a true event in your life.
• Rewrite a chapter of your favorite book from the antagonist’s point of view. 
• Write a letter to your future self. What do you want to make sure you remember?
• Go on a five-senses scavenger hunt. Find three items for each sense. Create a story using the items you found. 
• Create a story around an interesting picture ( try these fun picture writing prompts! )
• Find an ad in a magazine or elsewhere and rewrite the description to convince people NOT to buy the advertised item.
• Write a story using the last word of each sentence as the first word of the next.
• Describe everything you’re sensing right now, using all five senses.
• Write a list of animals A to Z with a one-sentence description of each one. Feel free to include imaginary animals.
• Design your dream room in detail.
• Write a script of yourself interviewing a famous person. Include his or her answers.
• Describe what high school would be like if you lived on the moon. What would you be learning about? How would you be learning it?
• Describe a day in the life of a famous person in history. Include both mundane and exciting details of things they may have experienced on a normal day.
• Pick up something on a bookshelf or end table nearby. Now write a commercial script for it to convince your audience that they absolutely must own this thing.
• Plan a birthday party for your best friend. Describe the decorations, food, and everything else.
• Write a very short story about three siblings fighting over a toy. Now rewrite it twice, each time from a different character’s perspective.
• Tell a story from the point of view of a pigeon on a city street.
• Create a menu for a deli you’ll be opening soon. Name each sandwich after something or someone in real life and list the fillings and type of bread.
• Pretend you just became famous for something. Write 3 exciting newspaper headlines about the topic or reason behind your newfound fame.
• Keep a one-line-a-day journal. Every day, write down one thought or sentence about something that happened that day or how you felt about the day.
• Have you ever had a nightmare? Write what happened but with a new ending where everything turns out okay (perhaps the monster was your dad in a costume, preparing to surprise you at your birthday party).
• Write a “tweet” about something that happened to you recently, using only 140 characters. 
• Take an important event in your life or the life of someone in your family. Write one sentence answering each of the 6 journalistic questions: Who, What, When, Where, Why, and How.
• Set a timer for 5 minutes and write nonstop, starting with the words “I remember.” If you get stuck, write “I remember” again until you get unstuck.
• Pick something you use often (a toothbrush, your desk, etc). Then tell the story of how it was invented. If you don’t know, make something up.
• Choose a princess or hero and write a one-paragraph story about him or her traveling to a distant land.
• Pretend you are a tour guide for a local attraction. It can be a library, a park, or a museum, but it could also be a place that wouldn’t normally hold tours (such as an arcade). Write a speech about what you tell your tour group as you walk around the attraction.
• Create a marketing brochure for your favorite activity or fun place to go.
• Make a list of 10 future story settings. Write one sentence describing each. For example, “ in the dark, musty cellar of my grandmother’s house, surrounded by dried-up jars of canned peaches… ”
• Make a list of foods included in a dinner party catered by the world’s worst cook, describing how each course looks, smells, and tastes. Include your reactions while eating it.
• Write out your own version of instructions for playing your favorite game.
• Pretend you’ve lost your sight for one night. Describe going out to eat at a restaurant, using smells, textures, and sounds to tell your story.
• Write a script for an interesting phone conversation in which the reader can only hear one side. 
• Tell the story of an object someone threw away from the perspective of the person who tossed it out. Then tell the story of that same object from the perspective of a person who finds it and deems it a treasure.
• List your 3 least favorite chores. Pick one and write a one paragraph detailing why you can’t possibly complete that chore ever again.
• Write an excerpt from your dog’s diary (pretend he keeps one).
• Write the script for a movie trailer—real or imagined.
• Create an acrostic for a holiday of your choice. 
• Pretend you’re the master of a role-playing game, describing a sticky situation in which the other players now find themselves. Describe the scenario in writing.
• Compose a funny or dramatic caption for a photo.
• Parents, place a textured object in a box without letting your student see it. Have him or her reach in, touch the object, and then describe how it feels.
• Write lyrics for a parody of a song.
• Make a list of 10-20 songs that would be played if a movie was made about your life.
• Describe the sounds, smells, sights, and textures you’d experience if you went to the beach for the day.
• Write an election speech with ludicrous and impossible campaign promises.

One of the best ways to encourage students to write regularly is by providing fun creative writing activities . 

They serve to encourage both the habit and mindset of writing with imagination. If you need extra help with that, check out Creative Freewriting Adventure :

bring excitement into your student’s writing – no prep required!

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How to Start a Handwriting Club

• by Colleen Beck
• March 22, 2019

Amazon affiliate links may be included in this blog post. As an Amazon Influencer, I earn from qualifying purchases.

In this article, you’ll discover how to start a handwriting club for kids to develop and enhance the skills needed for legible handwriting . Create a Handwriting Club as an after school program, an in-school activity, or as a home program idea. A Summer Handwriting Club is a great way to prevent the summer slide in handwriting skills in fun ways and using multisensory strategies to get the kids excited about practicing handwriting skills. A handwriting club can even be implemented as part of the RTI process. Plus, this is a great way to help with handwriting skill carry over !

Why Start a Handwriting Club?

Occupational Therapy practitioners know the importance of learning handwriting skills for children.  They understand the necessity of learning pre-writing strokes and shapes prior to attempting letter formation  and numeral formation and they understand the importance of proximal to distal development in order to provide the best foundation for a child to be the most successful.  Handwriting is a complex skill and requires many components to generate legible written output.

When handwriting instruction is overlooked, some children will struggle with letter forms, legibility and writing speed . It is important that handwriting be directly taught with a targeted focus and monitoring on body preparedness as well as formation patterns. When handwriting becomes automatic, children can focus on other aspects of writing such as grammar, planning, punctuation, composition, and self-correction or revision.

A fun handwriting club may be just the ticket for some children who experience more difficulty with learning handwriting due to a poor foundation. A handwriting club can provide direct instruction in body preparedness and formation or mechanics that utilizes sensory and motor activities to facilitate the learning process.

You can work through groups of letters following the Handwriting Without Tears letter order , for example.

This post will help describe the steps to organize and implement a simple handwriting club.

Affiliate links are included below.

Here are the planning steps in the development of a handwriting club:

1. Determine the purpose of the club.  Will it target prewriting, upper case formation, number formation, lowercase formation, cursive formation, mechanics of handwriting such as letter size, letter placement, line use, spacing, etc.?

2. Determine your target group and the specific handwriting goals you wish to achieve.

3. Determine the handwriting resources or programs you wish to utilize such as (Amazon affiliate links) Handwriting without Tears , Size Matters, Loops and Other Groups , First Strokes,  etc.

4. Decide the club agenda or sequence of club activities – always begin with body preparation in gross motor to fine motor and then proceed to handwriting content. This will be based on the length of time for the session.  Later in this article, I will provide an example of a formation handwriting club agenda.

5. Collect and prepare the materials you will need to implement the activities of the club.

6. Create any parent information sheets explaining the purpose of the club and any homework expectations.

7. Prepare any homework materials.

8. Determine the exact day(s), time(s), duration, and location of the club.

9. If you want, decide the name of the club or this could be part of your first session.

10. Finally, begin the club meetings.

11. At the final session, present children with certificates of completion.

Sensory Handwriting Activities  add multisensory components to learning letter formation.

Use creative fine motor and play activities to promote a better pencil grasp.

A Handwriting Club Makes Handwriting Practice Fun!

A handwriting club such as described in this article can help generate enthusiasm and make handwriting fun for children who struggle or need additional support in developing the foundational skills necessary for future handwriting success.

A fun club makes it seem less like dreaded handwriting work and more like special-time fun with friends. A handwriting club can provide the much time needed for children to develop essential skills in foundational body preparedness as well as handwriting acquisition.

Included with this article is a free Handwriting Club Session Planner and a list of possible Handwriting Club Activities including gross motor, fine motor, and multisensory activities, all which could be used during club meeting times. Get it by entering your email address below. If you are already a subscriber to our newsletter, you will still need to enter your email address. This is simply so we can deliver the PDF file to you.

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WCIA Champaign

Meet the Villa Grove teachers encouraging students to start their journalism careers young

Posted: November 1, 2023 | Last updated: November 2, 2023

VILLA GROVE, Ill. (WCIA) — In Douglas County, a handful of Villa Grove students are taking their language arts class to the next level. They’re dipping their toes into the world of journalism and started a newspaper club. Sarah Leith is one of the teachers behind it all.

“I was just trying to come up with some idea of how I can get the kids excited about writing,” Leith said.

So, she and her seventh graders put their heads together to start a Newspaper Club in Villa Grove.

“They write the articles and then they share them with each other,” Leith described. “Then other students who maybe didn’t want to write an article but they’re really good at finding mistakes in writing, they go in and try to help edit.”

That’s not all — they’re also learning photography and layout skills.

Addison Burris, one of the students said she’s always loved writing and storytelling.

“I also watch the news a lot so I really like listening to different types of information and I like telling people about different kinds of information that’s why I wanted to join,” Burris said.

Leith wants to make sure she’s creating a collaborative, real-world classroom.

“You have to work with other people in the real world and they’re doing a great job working with each other and accepting each other’s ideas,” Leith said. “I love the peer interaction and positivity in there.”

Alice Mitsdarfer, another student in the club, always likes group activities.

It’s an idea Leith is proud of, and one she’s confident will keep growing.

They’re not the only students in Villa Grove starting their journalism careers early. The school also has a yearbook program.

It’s mainly student-led, but Brian Cordes is the advisor behind the action.

He said he never imagined himself being involved in a class like this one, but he wouldn’t change a thing. Now, Cordes describes it as a family atmosphere, that’s continued even after graduation.

“Now baby showers, weddings, things like that I’ve gotten to that point with a lot of my former students so that’s been really surprising and exciting,” he said.

As a teacher, Cordes said it’s always great to have strong relationships with students in the classroom, but it’s a special feeling when it continues even after graduation.

For the latest news, weather, sports, and streaming video, head to WCIA.com.

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